Production, start to finish.
End-to-end production, from single-operator shoots to full multicam setups, every service backed by broadcast-grade kit and more than a decade behind the camera.
From first call to final delivery.
One person from the first conversation to the finished film. Here is what happens at each stage.
Plan it
Everything before the camera rolls, so the shoot day runs calmly.
- Brief, goals and audience
- Script, storyboard and shot list
- Location recces, permits and risk
- Crew, kit and schedule locked in
Shoot it
On location with the right kit and the right number of cameras.
- Single operator to full multicam
- Live broadcast and streaming
- Broadcast-grade cameras, sound and light
- Drone footage and on-set DIT
Finish it
Where the story takes shape and the picture is finished.
- Edit and story shaping
- Colour grade in DaVinci Resolve
- Sound mix, graphics and captions
- Delivery in every format you need
Our services
Corporate videos, documentaries, interviews and charity films, filmed single-operator or as part of a wider crew, cut to broadcast standard.
Depending on what a shoot needs, I can take on as much or as little of the production process as makes sense: camera operating, lighting, sound, directing and the edit. Businesses often bring me in to run a project start to finish; agencies and production companies bring me in as an experienced freelance camera operator to slot into a crew that's already built.
As a solo freelance videographer I can comfortably handle filming, lighting and sound on smaller productions myself. For bigger shoots, I'll bring in additional camera operators, sound recordists or other crew as needed.
Recent highlights
- British Museum × TNTV Short Documentary · London
- TPRF Interview with Journalist Gian Luca Fabi · Rome, Italy
- Celebrate Life Interviews · Brixton, London
- Interviews with Malaysian Media Weekly Echo · Kuala Lumpur
Camera operating, filming management, camera setup and video engineering for live and recorded multicam productions, timecode-synced, run single-handedly or as part of a crew.
On bigger shows I work as part of a larger production team (alongside a producer, vMix operators and the technical director or vision mixer cutting the show), directing cameras and making sure every feed reaches the switcher colour-matched and correctly timecode-synced so it cuts together cleanly. I've filled the DoP, filming manager and video engineer roles on multi-day broadcast productions, responsible for camera setups, signal distribution and keeping every source genlocked and colour-consistent throughout a live or recorded show.
Recent highlights
- TimelessToday 3-Day Corporate Livestreamed Event · Brighton Centre, UK
- TimelessToday Corporate Livestreamed Event · Bologna, Italy
- TimelessToday Corporate Event · Bad Vilbel, Frankfurt
Events, commercial, documentary, lifestyle and travel photography, shot across the UK and internationally, alongside video coverage or as a standalone booking.
Recent highlights
- TPRF Cape Flats / Food For People Project · Cape Town, South Africa
- Peace Event · Glastonbury, UK
- Outdoor Amphitheatre Event · Athens, Greece
- Rome Senate Prestigious Event Photography · Rome, Italy
- Zimbabwe Correctional Facility Event · Harare, Zimbabwe
- A Bridge to Peace with HRH · Kensington Palace, London
Drone shots get you angles a ground camera can't reach: useful for commercial films and events, property and architecture, and any shoot that needs a real establishing view of a location.
I fly and shoot on DJI drones, and offer the work either as a dedicated aerial filming and photography service on its own, or folded into a wider video production alongside ground-based filming, whichever the brief calls for.
Fully compliant with UK drone law: I hold a valid CAA Flyer ID and am certified to operate in the A1 and A3 Open Category subcategories, so every aerial shoot is flown legally, safely and to the standard clients can rely on.
Data wrangling, colour grading, asset management and on-set video engineering: keeping footage organised and backed up, signal distributed cleanly, and everything graded to a consistent look in the edit.
On set, that means running a proper backup workflow from card to drive (and drive to drive) before anything is deleted, keeping multicam and single-camera footage organised and labelled so nothing gets lost in the edit, and stepping in as video engineer where a shoot needs someone managing signal distribution and monitoring across multiple camera feeds.
The same attention to colour carries over into photography: every shoot is delivered from RAW files rather than straight-out-of-camera JPEGs, with each image individually edited and colour graded in Lightroom and Photoshop to a consistent, considered look before it reaches a client.
“Nitesh is my absolute go-to for camera work and production in the UK. He's the first person I recommend whenever someone asks who they should speak to about filming in London. He knows his stuff inside and out, and on top of that, he's an excellent collaborator and such a pleasure to work with.”
